narva:gb:methode
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| narva:gb:methode [2025/10/28 10:56] – gelöscht - Externe Bearbeitung (Unbekanntes Datum) 127.0.0.1 | narva:gb:methode [2025/10/28 10:57] (aktuell) – ↷ Links angepasst, weil Seiten im Wiki verschoben wurden admin | ||
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| + | [[narva: | ||
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| + | ==== Backstage: How the Voices Were Created ==== | ||
| + | |||
| + | <WRAP centerround 90%> | ||
| + | |||
| + | ===== 1. Aim and Framework ===== | ||
| + | The voices of **Narva** are not interviews but **fictional condensations of real conversations, | ||
| + | They were created on the basis of publicly available sources about the history, society, and present of Estonia –   | ||
| + | especially concerning the tensions between the Estonian- and Russian-speaking populations. | ||
| + | |||
| + | The goal is to make **empathy and polyphony** perceptible – without claiming documentary precision. | ||
| + | |||
| + | --- | ||
| + | |||
| + | ===== 2. Research and Source Material ===== | ||
| + | |||
| + | **A. Types of Sources** | ||
| + |   * **News outlets** (ERR News, Euractiv, NZZ, France24) → current political and social developments   | ||
| + |   * **Academic publications** (University of Tartu, OSCE, ResearchGate, | ||
| + | * **Eyewitness accounts & online forums** → linguistic nuances and lived everyday realities | ||
| + | |||
| + | **B. Time Frame** | ||
| + | Material from **2022–2025**, | ||
| + |   * The language reform in the Estonian education system   | ||
| + |   * Labor migration of young adults   | ||
| + |   * The relationship between Narva and Tallinn, and experiences of the border   | ||
| + | * Perceptions of the border with Russia | ||
| + | |||
| + | --- | ||
| + | |||
| + | ===== 3. The Process of Condensation ===== | ||
| + | |||
| + | 1. **Extraction: | ||
| + |     | ||
| + | |||
| + | 2. **Combination: | ||
| + |     | ||
| + |     | ||
| + | |||
| + | 3. **Linguistic Shaping: | ||
| + |     | ||
| + | |||
| + | 4. **Context Check: | ||
| + |    Each scene was – as far as possible – **reviewed in dialogue with factual information and voices from Narva/ | ||
| + | to achieve a balanced depiction. | ||
| + | |||
| + | --- | ||
| + | |||
| + | ===== 4. The Backgrounds as a Second Layer ===== | ||
| + | Beneath each dialogue lies an **optional layer: the background**.   | ||
| + | It links brief contextual notes (data, tendencies, terminology) with interpretive reflection   | ||
| + | and forms the transition between **research** and **artistic condensation**.   | ||
| + | This allows readers to trace **where the tone of a voice originates** without breaking the flow of reading.   | ||
| + | Each section also includes a list of publicly accessible **sources from the resonance field of the respective voice**. | ||
| + | |||
| + | --- | ||
| + | |||
| + | ===== 5. Ethics and Responsibility ===== | ||
| + | The dialogues respect the **dignity of real persons and communities**.   | ||
| + | They avoid labeling, irony, or accusations.   | ||
| + | The fiction serves **understanding, | ||
| + | |||
| + | No sentence in the dialogues is a literal quote –   | ||
| + | but perhaps each one could have been **said like this**, in a certain situation. | ||
| + | |||
| + | --- | ||
| + | |||
| + | ===== 6. Disclaimer ===== | ||
| + | **“These texts are artistic interpretations of real-world themes.   | ||
| + | They are based on publicly available research but do not constitute journalistic or scientific statements.   | ||
| + | Persons and situations are fictionalized – inspired by reality, yet not identical with it.”** | ||
| + | |||
| + | ---- | ||
| + | |||
| + | <WRAP centeralign> | ||
| + | [[narva: | ||
| + | [[narva: | ||
| + | [[narva: | ||
| + | </ | ||
| + | |||
| + | {{csv> | ||
| + | |||
| + | </ | ||